FL Studio 20 patch Archives

FL Studio (until 2003 known as FruityLoops)^[4] is a digital audio workstation (DAW) developed by the Belgian company Image-Line. FL Studio (and other DAWs) is designed to allow artists to create music using virtual instruments, synthesizers, recorded samples, and effects.

FL Studio features a graphical user interface with a pattern-based^[5]music sequencer. The program is available in four different editions for Microsoft Windows and macOS.^[6]

Image-Line offers lifetime free updates to the program, which means customers receive all future updates of the software for free after one time purchase.^[7][8] Image-Line also develops FL Studio Mobile for iPod Touch, iPhone, iPad and Android devices.^[9]

FL Studio can also be used as a Virtual Studio Technology (VST) instrument in other audio workstation programs and also functions as a ReWire client. Image-Line also offers its own VST instruments and audio applications. FL Studio has been used by numerous highly visible hip hop and EDM producers, including Porter Robinson, Madeon, Soulja Boy, Martin Garrix, Avicii, and Deadmau5.^[10][11]

History[edit]

The first version of FruityLoops (1.0.0) was developed by Didier Dambrin and was partially released in December 1997.^[12] Its official launch was in early 1998, when it was still a four-channel^[13]MIDIdrum machine.^[14] Dambrin became Chief Software Architect for the program,^[8][15] and it quickly underwent a series of large upgrades that made it into a popular and complex digital audio workstation.

FruityLoops was renamed FL Studio in 2003, after the threat of a lawsuit from Kellogg's and to improve the software's marketability.^[4]Software piracy was a major issue in the company's early days, and it took nearly five years for the company to earn money from users purchasing legitimate licenses.^[10]

On 22 May 2018, a macOS-compatible version of FL Studio was released.^[16]

Overview[edit]

Editions[edit]

FL Studio comes in several editions with different levels of functionality. The free trial version includes all of the program's features, all plugins, and allows users to render project audio to WAV, MIDI, MP3, and OGG.^[6] Projects saved while in demo mode, however, can only be opened once FL Studio and its plugins have been registered. Also, instrument presets cannot be saved and the audio output of some instruments will cut out momentarily every few minutes until the program and its plugins have been registered.^[17]

FL Studio Express[edit]

This version allows for step sequencer-only editing and is intended for 64-step loop creation.^[6] Each pattern can consist of an unlimited number of instruments—either samples, native instruments, or VST instruments. Instruments in the pattern can be routed to the Mixer tool for effects processing, and effects as of version 10.0 include Delay, Delay Bank, EQUO, Flangus, Love Philter, Vocoder, Parametric EQ & EQ2, Multiband Compressor, Spectroman, Stereo Enhancer, Wave Candy, Wave Shaper, and Soundgoodizer. There is no piano roll, playlist ability, automation, audio recording, or VST/ReWire client.^[18]

Fruity Edition[edit]

The Fruity Edition allows users to access the playlist, piano roll, and event automation features, which allow for complex and lengthy arranging and sequencing. There is also VST/ReWire support so that FL Studio can be an instrument in other hosts such as Cubase, Sonic Solutions, Logic, and other software. As of version 10.0 this edition includes the Simsynth Live synthesizer instrument, the DrumSynth live percussion synthesizer, the DX10FM synthesizer, and the Wasp/Wasp XT synthesizers. There is no audio recording feature.^[18] In FL Studio 12, this edition was given (spline-based) automation.

Producer Edition[edit]

The Producer Edition includes all of the features of the Fruity Edition, as well as full recording for internal and external audio and post-production tools. It allows for hand-drawing point and curve based splines (referred to as "Automation Clips"). Plugins include Edison, Slicex (loop slicer and re-arranger), Sytrus, Maximus, Vocodex and Synthmaker. It also allows for waveform viewing of audio clips and the ability to add cue points.^[18]

Signature Bundle[edit]

This edition includes the Producer Edition as well as a series of plugins such as the Fruity Video player, DirectWave Sampler, Harmless, NewTone, Pitcher, Gross Beat and the Hardcore Guitar Effects Suite.^[18]

All Plugins Bundle[edit]

The All Plugins Bundle includes the Signature Bundle along with extra plugins, particularly synthesizers.

Mobile[edit]

On June 21, 2011, Image-Line released FL Studio Mobile for iOS and in April 2013 for Android. Both support the ability to create multi-track projects on mobile devices including iPod Touches, iPhones, iPads.,^[9] Android 2.3.3 and higher Smart Phones and Tablets.

Groove[edit]

On September 2, 2013, a new standalone app for Windows 8 was released. It is a Groovebox-style application optimised for touch-based music creation.^[19]

System requirements[edit]

FL Studio 20 works on Windows 7/8/10 (32-bit or 64-bit versions) or on macOS 10.13.^[7] FL Studio requires a 2 GHzAMD or Intel Pentium 3CPU with full SSE1 support. It requires 2 GB of free disk space and 4 GB of RAM is recommended.^[7] The website states that "the more powerful your CPU, the more instruments and FX you can run."^[20]

FL Studio processes audio using an internal 32-bit floating point engine. It supports sampling rates up to 192 kHz using either WDM or ASIO enabled drivers.^[8]

Program features[edit]

• Version 9 introduced support for multi-core effects processing and improved support for multi-core instrument processing.^[21]

• Version 10, released on March 29, 2011, included a new project browser, fixed some bugs, and smoothed envelope points. It also introduced Patcher, a modular workflow environment capable of chaining together an unlimited number of instruments and effects.^[22]

• Version 11, released on April 19, 2013, included multi-touch support, improved tempo automation, new plugins such as BassDrum, GMS, Effector, Patcher, and new piano roll features (VFX Key Mapper, VFX Color Mapper).^[23]

• Version 12, released on April 22, 2015, added a new vectorial UI, updated plugins, multi-touch support, a redesigned mixer, improved 32 & 64 bit plugin support and improved file management.^[24]

• Version 20, released on May 22, 2018, skipped versions 13 to 19 to celebrate the 20th anniversary of the program. It introduced native macOS support, multiple time-signatures, MIDI conversion to audio, unlimited playlist arrangements, improved Plugin Delay Compensation, the return of the Step Sequencer Graph Editor, In-situ rendering ("freezing"), and other improvements.^[25]

The mixer interface allows for any number of channel configurations. This allows mixing in 2.1, 5.1, or 7.1 surround sound, as long as the output hardware interface has an equivalent number of outputs. The mixer also supports audio-in, enabling FL Studio to record multitrack audio.^{[26][non-primary source needed]}

FL Studio supports audio time stretching and pitch scaling, beat slicing, chopping, and editing of audio, and as of version 12.9 it can record up to 125 simultaneous audio tracks.^{[27][non-primary source needed]} Other key features include a digital piano roll. Audio can be imported or exported as WAV, MP3, OGG, FLAC, MIDI, ZIP, or the native project format with an .FLP filename extension.^[8]

The trial allows users to save projects, but does not allow re-opening them. Tracks may be exported to any of the available file formats.^[28]

Plug-ins[edit]

FL Studio comes with a variety of plugins and generators (software synthesizers) written in the program's own native plugin architecture. FL Studio also has support for third-party VST and DirectX plugins.^[29] The API has a built in wrapper for full VST, VST2, VST3, DX, and ReWire compatibility. Many of the plugins also function independently as standalone programs.

Virtual effects[edit]

FL Studio is bundled with a variety of sound processing effects, including common audio effects such as chorus, compression, distortion, delay, flanger, phaser, reverb, gate, equalization, vocoding, maximization, and limiting.^[15]

Synthesizers[edit]

FL Studio is bundled with 32 generator plugins (October 2011). Some are demos whilst some are full versions.

Reception[edit]

FL Studio has been praised for its simplicity, power, and ease of use.^[10][30][31] Jamie Lendino of PCMag wrote that "While [FL Studio is] still clearly geared for electronic music production 'in the box,' as opposed to recording live musicians playing acoustic instruments, you can record or create just about any kind of audio project with it."^[32] Criticisms include a difficult audio recording system^[32], poor support for bulk manipulation of instruments^[32], and an unappealing user interface^[33][34].

Notable users[edit]

See also[edit]

References[edit]

FL Studio comes with a few different sampler options, but by far the most powerful is the comprehensively featured DirectWave. It covers all the bases you’d expect from a modern soft sampler and also some which make you think ‘why can’t every sampler do this?’

One shining example of this is DirectWave’s ability to quickly and easily create a sample instrument of any VST in FL Studio, allowing you to collaborate with people who may not have the same third party plugins as you.

CONTENTS

DirectWave Quick Start Guide
        Loading a Sample
        Playing Samples Across the Keyboard
        Start/Loop Points
        Tuning Samples
        Filter
Tweaking Samples in DirectWave
Amp Module and ADSR Envelope
Filter Module
LFO
Mod Matrix
Using Multiple Samples
Adding Effects
Sampling VSTs

DIRECTWAVE QUICK-START GUIDE

LOADING A SAMPLE

First things first, let’s load a sample. We’re going to be working with the free taster pack of Sample Digger’s Dark Garage. The clip ‘S56_130_G_Synth_1’ sounds like it would make a cool instrument, to load it simply drag it in from the browser window and drop it into DirectWave’s interface.

PLAYING SAMPLES ACROSS THE KEYBOARD

DirectWave will automatically pitch the sample across the keyboard, however your sample will not necessarily be in tune with the piano keyboard. You can easily change the root note of your sample by right clicking on the virtual keyboard in the DirectWave UI.

START/LOOP POINTS

To change the start point of your sample simply go to the SAMPLE tab at the bottom left of DirectWave and drag the ‘Start’ tab to the appropriate starting point.

To make a simple, infinite loop for leads or pads select ‘Forward’ from the loop type menu and drag the Loop tabs to set your loop.

TUNING SAMPLES

Even if you’ve set the root note of your sample, it may not be perfectly in tune. This can be tweaked via the ZONE tab using the PITCH TUNE knob.

FILTER

The ZONE tab also houses the filter and amp units. Here you can edit classic parameters like cutoff, resonance and the ADSR envelope. There’s also a couple more options available in the filter and amp sections but we’ll go into more detail on these later

TWEAKING SAMPLE PROPERTIES IN DIRECTWAVE

You can alter the trigger mode of your sample via the Loop Type drop down menu in the SAMPLE tab. If you have loaded some drum samples you may want to trigger your sample as a one shot, playing all the way through as soon as a MIDI note is triggered. To do this simply select ONE SHOT from the menu. If the loop mode is disabled then your MIDI notes will act as a gate, only playing the sample for as long as the note is held.

We already covered the basics of looping in DirectWave, but there’s a lot more flexibility within the Loop Type drop down menu.

Forward means the sample is repeated jumping back to the Loop Start once. In Sustained mode the looped region will play while a key is held. The region beyond the Loop End will play on key release - in order to hear this you will have to set a slow release via the amp envelope. Bounce loops the sample forwards and then in reverse until the key is released.

If you want to reverse the sample for some interesting sound design, then simply press Alt+Left. 

AMP MODULE AND ADSR ENVELOPE

You can find DirectWave’s amp envelope in the ZONE window. Here you can adjust the attack, decay, sustain and release to sculpt your sound, in our example we’ve created a classic pad sound by setting a slow attack and release.

Behind the amp envelope you will also find two more envelopes which can be used to modulate most of DirectWave’s parameters, very handy for detailed sound design! We’ll explain how to use these later in the Mod Matrix section

Basic controls such as Gain and Panning can be found in the leftmost section of the ZONE panel under the MAIN unit.

FILTER MODULE 

DirectWave, unlike most stock samplers, has a dual filter section. This is fantastic as it gives you that little bit of extra control when it comes to building a killer instrument.

To turn either of the filters on simply select an option from the TYPE drop down menu. Once one of, or both of your filters are on, you can alter all the standard filter parameters such as cutoff, resonance and shape.

When both of your filters are on you have the option of running them either in parallel or series. To change this simply select one of the two options to the right of the TYPE drop down menu in Filter 1. 

Parallel means that audio is routed through the two filters separately from one another whereas Series means that the audio goes through Filter 1 first and then Filter 2. Which you choose will depend on the type of sound you’re going for.

LFO

As well as two filters, DirectWave users are blessed with two LFOs to modulate parameters with. Each of the LFOs is identical, with knobs for Rate, Phase, Attack and Waveform.

Rate sets the frequency of the LFO, if you activate the blue button to the left of the dial the LFO will sync to the BPM of your project. Phase sets the point in the waveform where the LFO will begin modulating from, Attack sets how long after playing a note the LFO will begin to modulate and Waveform simply determines the shape of the LFO’s oscillations. 

MOD MATRIX

To assign the LFOs and Envelopes to modulate parameters, you have to use DirectWave’s Mod Matrix. Found via the ZONE tab, the Mod Matrix has four banks of four modulation pairings allowing you to have up to 16 unique modulation sources and destinations. 

Each modulation pairing has two drop down menus and a dial. The top drop down menu allows you to pick the modulation source. This could be the velocity of a note, the mod wheel on your MIDI controller, an LFO or any one of the options in the below image

The bottom drop down menu houses the modulation destinations. You can use this menu to manipulate a whole host of destinations including the mod amounts of other modulation pairings - the full list of modulation destinations can be seen in the below image.

The dial to the right of these drop down menus determines the modulation amount and can be set at a positive or negative value.

USING MULTIPLE SAMPLES

Working with multiple samples in DirectWave is very quick and easy thanks to an intuitive visual mapping system. Multiple samples are loaded in an identical manner to single samples, simply drag and drop the samples into DirectWave from your sample browser.

By default every sample will be mapped to every key which, unless you’re trying to make a cacophonous mess, is unlikely to be the sound you’re looking for. 

In our example we’ve loaded a kick, snare and an open and closed hi-hat into DirectWave. We want to assign each of the samples to a different individual key so we can play in a simple beat.

To assign each sample to a key simply highlight the sample name in the list of samples at the top DirectWave and resize the corresponding rectangle in the keyboard area below. The x-axis determines which notes will play each sample and the y-axis determines which velocities will activate each sample. In our example we’ll set each sample to be triggered at every velocity for simplicity, but this is useful for building more complex instruments. 

We’ve now created a simple drum instrument with one key activating each sample. Each sample can be manipulated separately in the bank and Sample tabs, however changes made in the Zone tab are global and will affect every sample uniformly. 

ADDING EFFECTS

DirectWave comes with a few in built effects including a chorus, reverb and delay. You can set the send levels to each of these effects at the bottom of the ZONE panel and the parameters of each unit can be altered via the program panel.   

At the bottom of the ZONE panel there are also Ringmod, Decimator and Quantizer units which can all be used to mess with your sounds.

SAMPLING VSTS

A very unique ability of the DirectWave is that it can sample any VST in FL Studio, creating a DirectWave instrument which will save on CPU and also allow you to collaborate with others who may not have the same third party plugins as you.

This is easily done by right clicking on any loaded VST in the pattern window and selecting Create DirectWave instrument.

Now simply choose a name for the instrument and choose where you want to save it. A dialogue box will open allowing you to customize the range of your instrument amongst other parameters such as the number of velocity layers and sample rates. Then press Start and your VST will be sampled, simple as that!