Voxal Voice Changer Serial Code Archives

Voxal Voice Changer Serial Code Archives

Voxal Voice Changer Serial Code Archives

Voxal Voice Changer Serial Code Archives

MorphVox Pro 4.5 Crack + License Key (Torrent) [2020]

MorphVOX Pro 4.5 Crack + Serial Key Download {2020}

There are many voice changer software out there, but unfortunately, they show you the default. They don’t even begin to scratch the surface of what MorphVox Pro Key can do. Now do keep in mind with a voice changer any voice changer it doesn’t completely change your voice. You have to meet it halfway for example if you want to talk like a female you have to speak with the tone and um sassiness I suppose of a female. If you’re going to talk like a demon or a grumpy older man, you have to have that deep growl. So to begin, it gives you basic Alvin the chipmunk II or space squirrel this one pretty much any voice changer can do. It’s not the too unique option of what the voices are such as Bane Megatron and others so they may not be exact, but they’re pretty close. Next one’s Bane from Batman, use MorphVox Pro Key, and don’t even do anything.

Once you get MorphVox Pro Key, the first thing you want to do is go to tools voice learning and run voice doctor. That will configure it to your voice, so you sound well all the time when you’re trying to talk like a female or when you try to speak like a man. It’s entertaining to use on like Omega in video chat sites so if you’re interested in it.

It helps you get access to all great features for voice changing with a new level. This software offers a wide range of voices and sound packs, allowing you to tweak them to produce more voice combinations. It comes with fantastic voice changing algorithms and ultra-quiet background cancellation to provide the cleanest sound. Further, it permits you to add your desired sounds while you talk online with its outstanding Background feature.

Why Is This Software Helpful?

Maintaining your privacy while surfing the web can be quite a hassle. Since you always need to make sure you did not provide your real name or address. While engaging in online multi-player games or chatting with people, you don’t know.

If you want to ensure that your real identity remains a secret, even if you’re going to talk over the Internet. You can rely on this voice-altering app.

Once you install the tool, you will need to calibrate your microphone settings to make sure the app correctly and accurately captures your voice. You can also create different profiles for each user on your computer.

For starters, you required to specify the target voice, the sound you would like your voice to resemble, such as a child, a man, a woman, a robot, a dog translator or even a demon. The next step is to adjust the selected voice, by changing the pitch shift, as well as timbre shift and strength.

Also, you can select various effects that can make your modified voice even more entertaining and amusing: alarm clock, broken glass, cuckoo, gunshot, laugh, moo, scream, quack, and many others.

You can also select a background sound that can make it seem as if you are currently out and about a crowded city or in a shopping mall (additional sound packs are available on the developer’s website).

At this point, you only need to apply the final touches to your voice alterations, such as playing around with the equalizer or selecting another final vocal effect.

All in all, MorphVOX Pro Crack can help you have fun while playing multi-player games with your friends or with strangers, but you can also use it within instant messaging apps. If you are pleased with its features, you can buy a license and enjoy them for as long as you want.

Features:

  • It contains advanced voice-learning algorithms to produce the best quality sound.
  • Also, this software enables you to morph audio files or record your morphed voice to any file.
  • This program has low bandwidth and CPU usage to give you outstanding performance.
  • The application allows you to add your sound effects and backgrounds.
  • Above all, it comes with an extensive library of free voice and sound effect packs.
  • Also, it has a Quick Voices feature that permits you to switch your voice with only a single stroke.
  • Further, it provides new vocal tract filters for countless tweaking.
  • Moreover, this application lets you add your voices to playing games or using chat programs.
  • Process Quick Voices switch to the voice with a single click action.

What’s New?

  • The latest version comes with a new and elegant user interface with standard Windows control.
  • Easy to download and single click Installation.
  • Visual User-interface is straightforward, New and Easy.
  • New and advanced algorithms permanently quality sound.
  • Technology for premium quality voice changing.
  • Change your tone of voice and play any output with a single click.
  • Likewise, add environmental effects to your sound.
  • Download the free tone of sound and voice packs.
  • You can also add your sounds and skills.
  • Support for multiple dialects.
  • The Korean language has included in the latest version.
  • This release also enables you to backup or restore all your settings to a single file.
  • It has Plug-in support that offers you many features now and in the future.

System Requirements:

  • Supported OS: It works on Windows Vista, Windows 7, 8, 8.1 and Windows 10 (32-64Bit).
  • Virtualized macOS all versions.
  • Ram: 1 Gb or more.
  • Processor(CPU): Intel Core i5 1.5-GHz or higher for an excellent performance.
  • DirectX: DX 8.0 or latest for sound acceleration.
  • Storage: Hard disk space 168-Mb for installation and more depends on your usage.
  • Compatible 16-bit sound card.
  • Peripherals: Headphones and Speaker as per situations.

MorphVOX Serial Key 2019

HCS3V-MVT4C-KCW9O-MFD8U-KEIT4

Q2ZA3-WSX4E-DC5RF-VT6BY-8HNUH

AIO7G-KUR5E-ALR9G-BRP3T-HEQ8L

8BYG7-TFV6D-C5E4S-XAZQ3-WS4ED

BGY7V-T6C5X-Q2AZ3-W4SXE-DCR6F

2ZAQ3-WXS4E-DC5RV-6FTBG-Y8HNU

VTBGY-8HUNB-GY7TF-VCD5X-W4SX

C5RFV-T6BGY-78HNG-7BT6F-VC5ES

How To Crack or Activate?

  1. Download the MorphVOX Crack.
  2. Get the Trial Version of this software from the official website and install it.
  3. Run the program
  4. Copy and paste the crack into the installation folder.
  5. Click on it and wait for a few seconds for the activation process.
  6. You can use the Serial key also for activation that is available in a readme file.
  7. Enjoy full version with premium features.

SFJ3O2-SDKO-SDOWKS

SDKOW-SDKO-SDKOW

SDKOW-SDKOW-SDKW

SDKOW-SDKOW-SDKOP

Filed Under: Windows, Windows activator

Источник: [https://torrent-igruha.org/3551-portal.html]
, Voxal Voice Changer Serial Code Archives




Kae LabsVocal Writer
A music synthesizer that can sing your lyrics







Musical Synthesizer Sings English Lyrics
Over 85 Unique Voice Models
Integrated GM Synth for Accompaniment
Real-Time Synthesis Playback
Updated for OS X Support
System requirements
PowerPC G4 or G5 processor
Mac OS X version 10.3 through 10.4
512 MB RAM minimal
10 MB of available hard-disk space
1024 x 768 video resolution, 16-bit video min.
Stereo or mono audio output (44.1 kHz, 16-bits)
MIDI interface (optional)



The shareware registration is $39




Listen to demos
(Single male voice) , (Changing voices within a track) , (Singing trumpet, lead guitar and acoustic bass.) , (Two voices singing in chorus) , (A cappella) , (Penny Lane)



A Vocal synthesizer
A music synthesizer that can sing your lyrics. Using breakthrough technology developed by KAE Labs, VocalWriter allows you to synthesize the words and lyrics for your MIDI compositions. Vocals are polyphonic and multi-timbral. This means they can sing in chorus with many different voices.


A GM synthesizer
Besides offering over 85 different human, synthetic and special effect voices for the vocals, VocalWriter is also a General MIDI music synthesizer. Your MIDI vocals can have full instrumental accompaniment. Using a custom high-quality software synthesizer, you can import, edit and play your Standard MIDI Files directly from VocalWriter. If you are recording, you can even save your music to AIFF files.


A Midi File editor
VocalWriter is also a MIDI file editor. In addition to the usual music editing functions, VocalWriter includes special features to support singing. Adding and editing lyric tracks is fully automated. type the lyrics and VocalWriter does the rest. VocalWriter supports real-time input/output to your external MIDI equipment.


Mac OS X
VocalWriter is distributed as shareware. This means you can download a full working copy for free, try it out for 30 days, then decide if it's for you. If it's something you want, just register your payment with Kae LAbs and they will send you your personal serial number.



Specifications

Vocal synthesizer
Technology: RAS™
Instruments: 87
Polyphony: 20
Multi-timbre: 20
Effects: Reverb, Chorus
Output: 44.1 kHz, 16-bits, mono

General Midi synthesizer
Technology: Wavetable
Instruments: 245
Polyphony: 48
Multi-timbre: 32
Effects: Reverb
Output: 44.1 kHz, 16-bits, mono

Editor
Import / export Standard MIDI Files
"Karaoke" style lyrics display while singing
Save as AIFF sound file (MIDI to sound)
Track and note selection editing Transpose, quantize, slide, duration, velocity, controller, pronunciations
Track scrubbing
Import KAR lyrics
Real-time performance meter
MIDI deck controls with real-time stereo VU meter Rewind, Stop, Play, Play-From-Marker, Record, Fast-Forward
Adjust track levels live during play
"Thumbnail" piano-roll tracks overview
Graphical editing of MIDI controls
32 MIDI channel independent tracks
Auto MIDI channel to tracks expansion (splitting)
Piano-roll style note editing
Virtual screen keyboard
100,000+ word pronunciation dictionary
Adjust individual phonetic units for pronunciation fine tuning

Vocal MIDI controls:
Volume, sustain, pitch-bend, PB range, instrument,
fine-tune, brightness, chorus, vibrato freq and depth,
portamento, breath, noise








Contacts
RKAE Labs P.O. Box 1904 Woodinville WA 98077 , e-mail


Источник: [https://torrent-igruha.org/3551-portal.html]
Voxal Voice Changer Serial Code Archives

Human voice

The human voice consists of soundmade by a human being using the vocal tract, such as talking, singing, laughing, crying, screaming, shouting, yelling etc. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.)

Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source.[1] The muscles of the larynx adjust the length and tension of the vocal folds to ‘fine-tune’ pitch and tone. The articulators (the parts of the vocal tract above the larynx consisting of tongue, palate, cheek, lips, etc.) articulate and filter the sound emanating from the larynx and to some degree can interact with the laryngeal airflow to strengthen or weaken it as a sound source.

The vocal folds, in combination with the articulators, are capable of producing highly intricate arrays of sound.[2][3][4] The tone of voice may be modulated to suggest emotions such as anger, surprise, fear, happiness or sadness. The human voice is used to express emotion,[5] and can also reveal the age and sex of the speaker.[6][7][8]Singers use the human voice as an instrument for creating music.[9]

Voice types and the folds (cords) themselves[edit]

A labeled anatomical diagram of the vocal folds or cords.

Adult men and women typically have different sizes of vocal fold; reflecting the male-female differences in larynx size. Adult male voices are usually lower-pitched and have larger folds. The male vocal folds (which would be measured vertically in the opposite diagram), are between 17 mm and 25 mm in length.[10] The female vocal folds are between 12.5 mm and 17.5 mm in length.

The folds are within the larynx. They are attached at the back (side nearest the spinal cord) to the arytenoids cartilages, and at the front (side under the chin) to the thyroid cartilage. They have no outer edge as they blend into the side of the breathing tube (the illustration is out of date and does not show this well) while their inner edges or "margins" are free to vibrate (the hole). They have a three layer construction of an epithelium, vocal ligament, then muscle (vocalis muscle), which can shorten and bulge the folds. They are flat triangular bands and are pearly white in color. Above both sides of the vocal cord is the vestibular fold or false vocal cord, which has a small sac between its two folds.

The difference in vocal folds size between men and women means that they have differently pitched voices. Additionally, genetics also causes variances amongst the same sex, with men's and women's singing voices being categorized into types. For example, among men, there are bass, baritone, tenor and countertenor (ranging from E2 to C#7 and higher), and among women, contralto, mezzo-soprano and soprano (ranging from F3 to C6 and higher). There are additional categories for operatic voices, see voice type. This is not the only source of difference between male and female voice. Men, generally speaking, have a larger vocal tract, which essentially gives the resultant voice a lower-sounding timbre. This is mostly independent of the vocal folds themselves.

Voice modulation in spoken language[edit]

Human spoken language makes use of the ability of almost all people in a given society to dynamically modulate certain parameters of the laryngeal voice source in a consistent manner. The most important communicative, or phonetic, parameters are the voice pitch (determined by the vibratory frequency of the vocal folds) and the degree of separation of the vocal folds, referred to as vocal fold adduction (coming together) or abduction (separating).[11]

The ability to vary the ab/adduction of the vocal folds quickly has a strong genetic component, since vocal fold adduction has a life-preserving function in keeping food from passing into the lungs, in addition to the covering action of the epiglottis. Consequently, the muscles that control this action are among the fastest in the body.[11] Children can learn to use this action consistently during speech at an early age, as they learn to speak the difference between utterances such as "apa" (having an abductory-adductory gesture for the p) as "aba" (having no abductory-adductory gesture).[11] Surprisingly enough, they can learn to do this well before the age of two by listening only to the voices of adults around them who have voices much different from their own, and even though the laryngeal movements causing these phonetic differentiations are deep in the throat and not visible to them.

If an abductory movement or adductory movement is strong enough, the vibrations of the vocal folds will stop (or not start). If the gesture is abductory and is part of a speech sound, the sound will be called voiceless. However, voiceless speech sounds are sometimes better identified as containing an abductory gesture, even if the gesture was not strong enough to stop the vocal folds from vibrating. This anomalous feature of voiceless speech sounds is better understood if it is realized that it is the change in the spectral qualities of the voice as abduction proceeds that is the primary acoustic attribute that the listener attends to when identifying a voiceless speech sound, and not simply the presence or absence of voice (periodic energy).[12]

An adductory gesture is also identified by the change in voice spectral energy it produces. Thus, a speech sound having an adductory gesture may be referred to as a "glottal stop" even if the vocal fold vibrations do not entirely stop.[12]

Other aspects of the voice, such as variations in the regularity of vibration, are also used for communication, and are important for the trained voice user to master, but are more rarely used in the formal phonetic code of a spoken language.

Physiology and vocal timbre[edit]

The sound of each individual's voice is entirely unique not only because of the actual shape and size of an individual's vocal cords but also due to the size and shape of the rest of that person's body, especially the vocal tract, and the manner in which the speech sounds are habitually formed and articulated. (It is this latter aspect of the sound of the voice that can be mimicked by skilled performers.) Humans have vocal folds that can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of chest and neck, the position of the tongue, and the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body, and an individual's size and bone structure can affect somewhat the sound produced by an individual.

Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation. Another major influence on vocal sound and production is the function of the larynx, which people can manipulate in different ways to produce different sounds. These different kinds of laryngeal function are described as different kinds of vocal registers.[13] The primary method for singers to accomplish this is through the use of the Singer's Formant, which has been shown to be a resonance added to the normal resonances of the vocal tract above the frequency range of most instruments and so enables the singer's voice to carry better over musical accompaniment.[14][15]

Vocal registration[edit]

Vocal registration refers to the system of vocal registers within the human voice. A register in the human voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, and possessing the same quality. Registers originate in laryngeal functioning. They occur because the vocal folds are capable of producing several different vibratory patterns.[16] Each of these vibratory patterns appears within a particular Vocal range of pitches and produces certain characteristic sounds.[17] The occurrence of registers has also been attributed to effects of the acoustic interaction between the vocal fold oscillation and the vocal tract.[18] The term register can be somewhat confusing as it encompasses several aspects of the human voice. The term register can be used to refer to any of the following:[19]

  • A particular part of the vocal range such as the upper, middle, or lower registers.
  • A resonance area such as chest voice or head voice.
  • A phonatory process.
  • A certain vocal timbre.
  • A region of the voice that is defined or delimited by vocal breaks.
  • A subset of a language used for a particular purpose or in a particular social setting.

In linguistics, a register language is a language that combines tone and vowel phonation into a single phonological system.

Within speech pathology, the term vocal register has three constituent elements: a certain vibratory pattern of the vocal folds, a certain series of pitches, and a certain type of sound. Speech pathologists identify four vocal registers based on the physiology of laryngeal function: the vocal fry register, the modal register, the falsetto register, and the whistle register. This view is also adopted by many vocal pedagogists.[19]

Vocal resonation[edit]

Vocal resonation is the process by which the basic product of phonation is enhanced in timbre and/or intensity by the air-filled cavities through which it passes on its way to the outside air. Various terms related to the resonation process include amplification, enrichment, enlargement, improvement, intensification, and prolongation; although in strictly scientific usage acoustic authorities would question most of them. The main point to be drawn from these terms by a singer or speaker is that the end result of resonation is, or should be, to make a better sound.[19] There are seven areas that may be listed as possible vocal resonators. In sequence from the lowest within the body to the highest, these areas are the chest, the tracheal tree, the larynx itself, the pharynx, the oral cavity, the nasal cavity, and the sinuses.[20]

Influences of the human voice[edit]

The twelve-tone musical scale, upon which a large portion of all music (western popular music in particular) is based, may have its roots in the sound of the human voice during the course of evolution, according to a study published by the New Scientist. Analysis of recorded speech samples found peaks in acoustic energy that mirrored the distances between notes in the twelve-tone scale.[21]

Voice disorders[edit]

There are many disorders that affect the human voice; these include speech impediments, and growths and lesions on the vocal folds. Talking improperly for long periods of time causes vocal loading, which is stress inflicted on the speech organs. When vocal injury is done, often an ENT specialist may be able to help, but the best treatment is the prevention of injuries through good vocal production.[22] Voice therapy is generally delivered by a speech-language pathologist.

Vocal cord nodules and polyps[edit]

Vocal nodules are caused over time by repeated abuse of the vocal cords which results in soft, swollen spots on each vocal cord.[23] These spots develop into harder, callous-like growths called nodules. The longer the abuse occurs the larger and stiffer the nodules will become. Most polyps are larger than nodules and may be called by other names, such as polypoid degeneration or Reinke's edema. Polyps are caused by a single occurrence and may require surgical removal. Irritation after the removal may then lead to nodules if additional irritation persists. Speech-language therapy teaches the patient how to eliminate the irritations permanently through habit changes and vocal hygiene. Hoarseness or breathiness that lasts for more than two weeks is a common symptom of an underlying voice disorder such as nodes or polyps and should be investigated medically.[24]

See also[edit]

References[edit]

  1. ^"About the voice". www.lionsvoiceclinic.umn.edu. Retrieved 8 February 2018.
  2. ^Stevens, K.N.(2000), Acoustic Phonetics, MIT Press, ISBN 0-262-69250-3, 978-0-262-69250-2
  3. ^Titze, I.R. (1994). Principles of Voice Production, Prentice Hall (currently published by NCVS.org), ISBN 978-0-13-717893-3.
  4. ^Titze, I. R. (2006). The Myoelatic Aerodynamic Theory of Phonation, Iowa City:National Center for Voice and Speech, 2006.
  5. ^Johar, Swati (22 December 2015). Emotion, Affect and Personality in Speech: The Bias of Language and Paralanguage. SpringerBriefs in Speech Technology. Springer. pp. 10, 12. ISBN .
  6. ^Bachorowski, Jo-Anne (1999). "Vocal Expression and Perception of Emotions"(PDF). Current Directions in Psychological Science: 53–57.
  7. ^Smith, BL; Brown, BL; Strong, WJ; Rencher, AC (1975). "Effects of speech rate on personality perception". Language and Speech. 18 (2): 145–52. doi:10.1177/002383097501800203. PMID 1195957.
  8. ^Williams, CE; Stevens, KN (1972). "Emotions and speech: some acoustical correlates". The Journal of the Acoustical Society of America. 52 (4): 1238–50. Bibcode:1972ASAJ...52.1238W. doi:10.1121/1.1913238. PMID 4638039.
  9. ^Titze, IR; Mapes, S; Story, B (1994). "Acoustics of the tenor high voice". The Journal of the Acoustical Society of America. 95 (2): 1133–42. Bibcode:1994ASAJ...95.1133T. doi:10.1121/1.408461. PMID 8132903.
  10. ^Thurman, Leon & Welch, ed., Graham (2000), Body mind & voice: Foundations of voice education (revised ed.), Collegeville, Minnesota: The Voice Care Network et al., ISBN 0-87414-123-0
  11. ^ abcRothenberg, M. The Breath-Stream Dynamics of Simple-Released Plosive Production, Vol. 6, Bibliotheca Phonetica, Karger, Basel, 1968.
  12. ^ abRothenberg, M. The glottal volume velocity waveform during loose and tight voiced glottal adjustments, Proceedings of the Seventh International Congress of Phonetic Sciences, 22-28 August 1971 ed. by A. Rigault and R. Charbonneau, published in 1972 by Mouton, The Hague – Paris.
  13. ^Vennard, William (1967). singing: The Mechanism and the Technic. Carl Fischer. ISBN .
  14. ^Sundberg, Johan, The Acoustics of the Singing Voice, Scientific American Mar 77, p82
  15. ^E. J. Hunter, J. G. Svec, and I. R. Titze. Comparison of the Produced and Perceived Voice Range Profiles in Untrained and Trained Classical Singers. J. Voice 2005.
  16. ^Lucero, Jorge C. (1996). "Chest‐ and falsetto‐like oscillations in a two‐mass model of the vocal folds". The Journal of the Acoustical Society of America. 100 (5): 3355–3359. Bibcode:1996ASAJ..100.3355L. doi:10.1121/1.416976. ISSN 0001-4966.
  17. ^Large, John (February–March 1972). "Towards an Integrated Physiologic-Acoustic Theory of Vocal Registers". The NATS Bulletin. 28: 30–35.
  18. ^Lucero, Jorge C.; Lourenço, Kélem G.; Hermant, Nicolas; Hirtum, Annemie Van; Pelorson, Xavier (2012). "Effect of source–tract acoustical coupling on the oscillation onset of the vocal folds"(PDF). The Journal of the Acoustical Society of America. 132 (1): 403–411. Bibcode:2012ASAJ..132..403L. doi:10.1121/1.4728170. ISSN 0001-4966. PMID 22779487.
  19. ^ abcMcKinney, James (1994). The Diagnosis and Correction of Vocal Faults. Genovex Music Group. ISBN .
  20. ^Greene, Margaret; Lesley Mathieson (2001). The Voice and its Disorders. John Wiley & Sons; 6th Edition. ISBN .
  21. ^Musical roots may lie in human voice – 6 August 2003 – New Scientist
  22. ^"Fine Tuning Your Voice". stayhealthymn.com. Archived from the original on 16 July 2011.
  23. ^"The Voice - Casting, Contestants, Auditions, Voting and Winners". The Voice 2020 Season 18. Retrieved 25 April 2020.
  24. ^Clark A. Rosen-Deborah Anderson-Thomas Murry (June 1998). "Evaluating Hoarseness: Keeping Your Patient's Voice Healthy". aafp.org. 57 (11): 2775.

Further reading[edit]

  • Howard, D.M., and Murphy, D.T.M. (2009). [1] Voice science acoustics and recording, San Diego: Plural Press.
  • Titze, I. R. (2008). The human instrument. Sci. Am. 298 (1):94–101. [2]
  • Thurman, Leon & Welch, ed., Graham (2000), Bodymind & voice: Foundations of voice education (revised ed.), Collegeville, Minnesota: The VoiceCare Network et al., ISBN 0-87414-123-0

External links[edit]

Look up voice or vocal in Wiktionary, the free dictionary.
Wikiquote has quotations related to: Voice
Wikibooks has a book on the topic of: singing
Источник: [https://torrent-igruha.org/3551-portal.html]
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